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Originally published at tansyrr.com. You can comment here or there.
1. It’s been a huge month in Australian speculative fiction – the carnival is over here.
2. I really tried to buy Raeli a Barbie for her Christmas pile. I went into Big W and everything. But they just annoyed me. All of them. From the glam retro Barbies to the mermaids. Even the merchandise tie ins for the Barbie Musketeer movie was annoying, and I didn’t spot any swords! Just fairy tale frocks. I moved on to Polly Pocket and was tempted, but apart from one cool set involving umbrellas, every single piece of Polly Pocket scenery involved beauty treatments or shopping. Bah. She can settle for the Musketeer movie and a yoyo. And, you know, lots of other stuff. Including a slide. She so has nothing to complain about. (coolest and weirdest thing on her Santa list – a net to catch things with. Do they still sell butterfly nets, or is that non-PC?)
3. Hot today. Stinking, sweltering, hot hot hot. The kind that feels like an oven door opening when you step out your front door. I picked up Raeli from her final day of kindergarten (omg she is a PREP student next year) and took her and Inigo back to
godiyeva’s house to make use of her magic-cold-air machine and drink iced tea.
4. Needless to say, no baking of gingerbread daleks happened. Hopefully tomorrow.
5. My review of Rampant has excited a bit of interest, and inspired this fascinating blog post by Diana Peterfreund (the author) herself: You see, boy heroes in fantasy get elderly wizard-types who are conveniently killed by the enemy. Girl heroes get sardonic older-but-sexy types who want to sleep with them. She also talks about how people’s expectations of character types can affect the reading of the book. So true.
6. Postal strikes tomorrow, across Australia. Bloody hell. I knew I should have finished my needs-to-be-posted list today. I’d like to tender my official apology to my agent, and my cousin in England.
7. The government has finally relaxed the security regulations and are allowing knitting needles on planes again! No, this isn’t a frivolous news story. Have you ever seen a nervous knitter? They need their needles, damn it.
Possibly some other things happen today. I’ll try to summon up something intelligent to say about the “clean feed” beyond “I’m against it,” when I am less hot, scratchy and sunburnt. So, you know, April.
Nominations for the 2009 Chronos Awards are now open. The Chronos Awards recognise Victorian writers and fans, with the awards to be presented at Continuum 6: Future Tense. Full details of categories and how to nominate can be found here and/or here. Anyone can nominate, you don't have to be a Victorian writer or fan yourself to do so.
I'm eligible for nomination as follows:-
Best Short Fiction
Recruitment (Malpractice anthology, Stygian Publications, 2009)
Ill Conceived (The Black Garden anthology, Corpulent Insanity Press, 2009)
Phantasy Moste Grotesk (limited edition standalone chapbook, Corpulent Insanity Press, 2009)
Dirty Paper Wings (Borderlands #11, Borderlands Publications Inc, 2009)
The Emancipated Dance (Midnight Echo #2, AHWA, 2009)
Jesse's Gift (Andromeda Spaceways Inflight Magazine #40, ASIM Publishing Co-Op, 2009)
The Knotting (Leaves of Blood anthology, Altair Australia Books, 2009)
Celebrity Skin (Andromeda Spaceways Inflight Magazine #42, 2009)
The Bearded Ones (Festive Fear anthology, Tasmaniac Publications, 2009)



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Keep up to date with The Natcon 50 Project at our website or via Twitter (@Natcon50)Originally published at tansyrr.com. You can comment here or there.
Parents of young children don’t get days off. It sounds trite and obvious, but not until you become a parent of small children do you understand the stark, relentless reality of what ‘no days off’ means. It means no weekends, no sick leave, no mental health days, no impulse activities, no dropping everything at a moment’s notice. You’re on 24 hour shifts every day and there’s no paid overtime. The younger the children are, the harder it is to find people who can actually replace you, even temporarily, which means every bit of time you have free of your children is hard-won, or intensely negotiated.
Writers don’t get days off, either. Few people who work for an employer understand that the self-employed value their time differently. They have to, because there is no automatic system to denote ‘work time,’ ‘play-time,’ ‘rest-time.’ A writer, particularly a writer under deadline, can be working at any time, even if they appear to be staring into space. They can be working in the middle of the night, when they wake up and can’t get back to sleep. Every piece of media they consume has an element of ‘work thought’ attached to it. Most intense is the power of ‘I should be writing.’
Because there is no true way to measure true progress of a book (wordcount is commonly used but imperfect, as one day’s 500 words might take half an hour and another day’s might involve working under great tension for 6-8 hours) other than a vague movement from ‘unfinished’ to ‘finished,’ the working writer lives with a great deal of uncertainty. How much is enough to get the job done? The guilt can set in at any time.
I’ve been well trained by this guilt over the years, between writing to deadling and the life of the postgrad student. And yes, there were years when ‘I should be writing my novel’ and ‘I should be writing my thesis’ overlapped each other. Stressful, stressful times. Mind you, I currently have a school-age daughter, a baby daughter, a small business run from home and two novel deadlines for 2010, so it’s hard to imagine a time when I had a trickier Guilt-Work balance than I do right now.
The benefit of being a writer is that you can do it anywhere. The downside is that you can do it anywhere, and thus there is the internal pressure that you should. We tell ourselves things like ‘ah I can get plenty of work done on the weekend,’ forgetting that the weekend is not designed for work, and it is in many ways a socially subversive thing to do – carving work time out on days that everyone else denotes as ‘holiday/social/relaxing time’ is harder than you think it will be. My particular weakness is that gap between Christmas/New Years – I always think that will be a great, productive writing time and every single time I am surprised that it is not.
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